Wednesday, November 28, 2012

Hairspray Could Help Us Find Advanced Alien Civilizations

And light pollution measures and energy saving says that the streetlighting we've had for a mere fraction of a galactic second (i.e. a couple of hundred years) won't be here in that same fraction again.

Hell, as it is, we try to reduce the amount of light that goes somewhere unnecessary (e.g. the sky!) or that is produced and doesn't do anything. There are already countries and cities with lighting that's dynamic based on the cars rolling over it (which means the signal is even HARDER to find, even if you knew what you were looking for).

And in terms of the stretch of a civilisation, lighting visible even from orbit, let alone the other side of the galaxy, is literally a tiny flicker that you'll only catch if you're constantly listening to EXACTLY that, in EXACTLY the right place for a few billion years.

Hell, it's hard enough to see all of Earth's artificial lighting from orbit if there is cloud cover, let alone from somewhere like where Voyager currently is, and as you got further out the inverse square law solves the problem nicely to give you a probability of anyone detecting it tending rather swiftly towards zero.

If you want to detect a civilisation, about the only sensible thing to do is ignore the planets, look at the stars. Because sources of energy that huge, that well light-up, that stable, that predictable and, with suitable technology, even harvestable (I believe it's called a Dyson sphere) are likely to be something that won't stop being a commodity for a long time and activity on them will be inherently visible (even if that's by one-day disappearing entirely).

Think to yourself. I plonk you down into the universe at an unknown point and at an unknown time since the Big Bang. I give you a billion-year-long-life (sound a lot? It's not). How do you find someone who's had the same done to them? The chances are you're not even going to be able to see each other, would never be at the right stages at the right times to communicate with each other before moving onto the "next most advanced / obvious method of communication", and even if you do by some chance talk be too far away or your communication too "out of date" to do anything useful with it.

Until you can quite literally bend space and visit other places, it's all a bit pointless to be looking because of simple physical laws. And by the time you *can* do that, it's easier to just plonk a sensor on every star system with your space bending techniques than it would be to ever listen out for them all.

We are quite literally talking about how to detect a particular mayfly of interest on an entire planet of activity. And by the time we do it, that mayfly has evolved to build its own space program and buggered off deeper into the galaxy anyway.

Source: http://rss.slashdot.org/~r/Slashdot/slashdotScience/~3/FkCGyJFImX8/story01.htm

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Launch of Sunday Art Salon: South east London's latest art adventure

?Portrait of a Young Woman? by Picasso. A 1946 signed lithograph of a 1938 work

In times like these where interest rates are next to nought, it is a thankless task trying to accrue interest from money sat in bank accounts.?

Art, like property, has always been highly regarded as a far greater prospect to invest your money in.?Time and again this has been proven in the London Art Market and it is always an eye opener to see which art is going to be suddenly reassessed to become the next big thing.

I can remember when I visited Sotheby?s in 1995 during the last recession, Modern British art was going through the doldrums and the work of several big name artists could be picked up very reasonably at auction. John Bratby (1928-1992) one time Blackheath resident is a case in point. A prolific ?kitchen sink? artist, noted for depicting such humble domestic subjects as well as lavatories, he courted the press in his day and was as notorious a figure in the 50?s as Damien Hirst or Tracey Emin is today. I saw paintings by him sell under the hammer for a few hundred pounds, including a cracking self portrait I wish in hindsight I had bought when I had the opportunity.

Alex C. Koolman, RP, RBA, (1907 ? 1998). Portrait George Harrison 1970

Charles Saatchi then surprised the art world by buying three very large works from the late 50?s by Bratby from a London dealer in 2003 to display in a dedicated room in his then new County Hall Gallery. This caused something of a ripple effect in the revision of Bratby?s reputation and prices, which had taken a knock since the 1960?s invasion of the American Abstract Expressionists and the new wave of British Pop Art.?Now his work can sell for anywhere between five to fifty thousand pounds plus from London dealers.

My experience in dealing in fine art and antiques for over twenty years has led me to some wonderful finds. On leaving school I went into the family business, The Mount Antiques in Whitby, Yorkshire, where I learnt the art of buying from my mother as I accompanied her to auctions and house calls.?She trained as a textile designer and had a great eye for decorative art and antiques, building an international reputation over twenty years for her emporium on the north east coast.?I then went to college to study both art practice and the history of art.

a view from my studio of Hilly Fields, Brockley

When I came to London I joined Harrods Antiques and Fine Art Department for several years and went on to work as an art consultant in contemporary art to GX Gallery in Camberwell. I have continued to exhibit my own work in London and open my studio each year in Brockley since moving there.

Sunday Art Salon is the latest idea in urban leisure art consumption. It places the emphasis on real social networking, as a platform for meeting like minded professionals and collectors looking for unique stylish statement pieces to enhance their living space and for long term investment.

It creates a stimulating, friendly environment for the public and creatives to meet and engage with a wide range of artist practitioners. Guests have the opportunity of purchasing and talking about artwork with the artists and curator in the setting of a private studio with extensive views across Hilly Fields in Brockley.

Following the opening up of south London in 2010 by the extension of the Overground tube, affectionally nicknamed the ?Ginger line?, places like Brockley and Forest Hill are now on the map as areas of artistic enterprises, with Deptford and Peckham as neighbours, it creates part of a new trend of artistic networks where small galleries and open studios are tailoring themselves to a resurgence in community spirit and awareness.

Whilst the artist?s of the Brockley Open Studios have been quietly opening their doors in their leafy Conservation Area one weekend per summer for twenty years, new initiatives like the South London Art Map have a strong online presence which operates as a listings site, promoting exhibitions in art spaces open late on the last Friday of each month. Undoubtedly as part of the recession and in line with the growing number of markets, both farmers food and craft based, the public are enjoying and demanding something of a renaissance in rediscovering small local trade and commercial premises.

Charles Saatchi and Nigella Lawson visit Canvas and Cream

The Canvas & Cream Cafe and Gallery in Forest Hill is a family-run social enterprise where locals got together with friends and family from their neighbourhood to develop this collaborative project. It comprises artists studios, an artists-designed up cycled restaurant/cafe and a dedicated gallery/project space with art workshop.

It was here where artist Raf Zawistowski?s solo debut show was bought outright by Charles Saatchi before the show even opened in April this year. Proving that once Saatchi has dared to brave this far into London?s south east hinterland, sealing his approval by purchasing art, it can truly be said to have ?arrived?.

Raf Zawistowski?s solo debut show was bought outright by Saatchi

The Misty Moon Gallery in Ladywell, previously the Tank Gallery, originally an 17th?century coaching house behind the Ladywell Tavern, is operated by another artists collective and now caters as an accessible platform for the work of local and international artists, as does Cue B Gallery at the rear of the Brockley Mess cafe on Brockley Road.

The White Room SE4, is the new home of modern women?s wear label, NC23 by a local designer keen to encourage networking and collaboration in the boutique/studio/workshop also on Brockley Road. They plan to offer workshops in sewing, pattern cutting, tailoring and drawing, the first of which is Make a Swing Skirt in 3 hours. This couldn?t be more fitting flanked as it is by a resurgence of vintage style coffee shops selling cupcakes in the area.

Not to mention the unique Grade II Listed Rivoli Ballroom next door, regular home of hipster jivers, where Florence + the Machine just played live in her?BBC Radio 2 concert,?while the White Room held its late night opening party.

Sunday Art Salon

Sunday Art Salon launches its first exclusive Winter Collection on Sunday 2nd December 11am ? 3pm with a wonderful array of bold contemporary art and a unique collection of vintage art and collectables, including important portraits of Charles I, George Harrison and a signed portrait print by Picasso. We hope there will be something for everyone. Artwork can be viewed by appointment at other times to suit busy lifestyles.

Sunday Art Salon -?Hilly Fields Studio, 12 Montague Avenue, London SE4 1YP.
Sunday 2nd?December 11am ? 3pm. Coffee station and edible art.
Further information visit:?www.sundayartsalon.co.uk? or email info@sundayartsalon.co.uk
(stairs so with regret no disabled/pushchair access and no stilettos as wooden floors)


Source: http://dulwichonview.org.uk/2012/11/27/launch-of-sunday-art-salon-south-east-londons-latest-art-adventure/

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The Wendy's College Classic: U of R Women set the tone

The Wendy's College Classic is local college basketball at its best. The classic tips off Tuesday night featuring the men's and women's teams from eight area college.

The University of Rochester women are seven-time defending champions of The Wendy's College Classic. And despite a promising start to the season last year, the Lady YellowJackets fell flat. Now is their chance to set a new tone.

It's a week in the fall Jim Scheible always looks forward to, and why not, for the past seven seasons his Lady YellowJackets have won the longest in-season college basketball tournament in the nation.

Jim Scheible, University of Rochester Women's Head Basketball Coach, said, ?Whenever you bring all the teams together its incentive to win and winning it brings the college basketball community together.?

The University of Rochester have topped The Wendy's Classic and are seven time defending champions. But the veteran coach wants his team to remember how last season ended. After starting 17-0 and ranked 5th in the nation with a sure shot at the NCAA tournament, U of R lost six of its final eight games and missed the tournament for the first time in seven years.

Jackie Walker, senior, said, ? It was hard a rough ending. We don't want to repeat. We have the motivation, we are treating this step by step and hone in on each opponent and shutting them down.?

Amy Woods, senior, said, ?Definitely motivating. We worked hard all off season. We are taking it one by one and hopefully we will be successful.?

In sports, taking a step back often leads to a giant step forward. Scheibel is counting on it, making a statement this week is a good start, but his team is eyeing the postseason prize and he doesn't want them to lose sight of it.

Scheibel said, ?I don't think we took it for granted and you have to keep playing if you play you keep playing like it's the first time for all these players.?

Women's Schedule:
Tuesday:

U of R vs RIT at 6:00p.m. at William Smith College
Nazareth vs. SUNY Geneseo at 6:00p.m. at St. John Fisher College
Roberts Wesleyan vs. William Smith at 8:00p.m. at William Smith College
Brockport vs. St. John Fisher at 8:00p.m. at St. John Fisher College

Men's Schedule
Wednesday:

Nazareth vs. SUNY Geneseo at 6:00p.m. at St. John Fisher College
RIT vs. U of R at 6:00p.m. at Hobart College
Brockport vs. St. John Fisher at St. John Fisher College at 8:00p.m.
Roberts Wesleyan vs. Hobart at Hobart College at 8:00p.m.
?

Source: http://brighton-pittsford.whec.com/news/news/88215-wendys-college-classic-u-r-women-set-tone

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Tuesday, November 27, 2012

Court orders new look at health care challenge

(AP) ? The Supreme Court has revived a Christian college's challenge to President Barack Obama's healthcare overhaul, with the acquiescence of the Obama administration.

The court on Monday ordered the federal appeals court in Richmond, Va., to consider the claim by Liberty University in Lynchburg, Va., that Obama's health care law violates the school's religious freedoms.

A federal district judge rejected Liberty's claims, and the 4th U.S. Circuit Court of Appeals ruled that the lawsuit was premature and never dealt with the substance of the school's arguments. The Supreme Court upheld the health care law in June.

The justices used lawsuits filed by 26 states and the National Federation of Independent Business to uphold the health care law by a 5-4 vote, then rejected all other pending appeals, including Liberty's.

The school made a new filing with the court over the summer to argue that its claims should be fully evaluated in light of the high court decision. The administration said it did not oppose Liberty's request.

Liberty is challenging both the requirement that most individuals obtain health insurance or pay a penalty, and a separate provision requiring many employers to offer health insurance to their workers.

The appeals court could ask the government and the college for new legal briefs to assess the effect of the Supreme Court ruling on Liberty's claims before rendering a decision.

Liberty's case joins dozens of other pending lawsuits over health reform, many involving the requirement that employer insurance plans cover contraception, which are working their way through the federal court system.

The case is Liberty University v. Geithner, 11-438.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/386c25518f464186bf7a2ac026580ce7/Article_2012-11-26-US-Supreme-Court-Health-Care/id-28bdd0514abf4115907d9cf9bcb6f43d

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Judith R. Karfiol | Rufus Law

Judith Karfiol began her career in the entertainment industry as a literary agent in Los Angeles, which provided a solid understanding of entertainment business practices and extensive experience negotiating film and television contracts.? She later attended Southwestern University School of Law with the specific intention of practicing in the entertainment field.? Today Judy?s entertainment practice consists of the full service representation of artists and production companies working in film, television, new media and publishing, involving original works and adaptations, drama and documentaries, live action and animation.

Practice Areas:

Transactions for Artists and Independent Producers Judy?s personalized representation of Artists focuses on drafting and negotiating contracts for screen and television writers, animators, graphic novelists, authors of fiction and of non-fiction. Development activities for artists include securing or selling rights to works of fiction and non-fiction, magazine articles, life story rights, screenplays, and live action and animated television series in both the scripted and ?non-scripted? arenas, and negotiating ?agreements for writing services in all forms of traditional and new media.? She counsels clients with respect to all aspects of their professional careers including agency and management representation, collaborations with other artists, employment, merchandising and licensing.

Production Legal Services Judy represents independent film makers and television production companies in connection with the development, production and post-production of both dramatic and documentary feature films, and both scripted and non-scripted programming for broadcast and new media.? ?She advises clients with respect to union and guild matters, chain of title and copyright issues, production policies and guidelines.

Employment Negotiations Judy represents studio, network and independent production company executives in contract negotiations with their employers. In addition she represents literally dozens of animators and game developers in their employment negotiations with studios, production companies and independent producers.

Education:

Juris Doctor, Southwestern University School of Law

Ph.D., Master of Arts, Comparative Literature, Univ. of Southern California

Bachelor of Arts, French and Anthropology, Univ. of Southern California

Professional Associations:

Beverly Hills Bar Association

California State Bar

Other Associations:

British Academy of Film and Television Arts, Los Angeles

Admissions:

1992, California State Bar

1992, United States District Court for the Central District of California

Professional Experience and Internships:

Warner Bros, Inc. Music Division ? business and legal affairs: internship

MCA/Universal Merchandising ? business and legal affairs: internship

MGM/UA Worldwide Television Group ? business and legal affairs: internship.

Davenport Lyons, Solicitors, (London) Entertainment Division: internship.

Writers Guild of America, West:? Executive in charge of special projects.

Teaching and Lecturing:

2005 ? Present: California Institute of the Arts faculty in the School of Film/Video.? Judy teaches ?Entrepreneurial Studies? in the Character Animation Program introducing animation and other students to basic principles of copyright and contract law, practical issues involved in developing and producing films as well as accepting employment in the film, television and new media industries, and starting their own businesses.

2009: California State University at Long Beach: Visiting ?professor in Film and Video, Judy taught ???Film and Television Law? for graduate and undergraduate students.

Professional Non-Legal Career:

In addition to teaching Comparative Literature and working as a literary agent, prior to law school Judy lived in London for 4 years where she established and published the Karfiol Literary Report, a monthly scouting report of English fiction and non-fiction for independent film and television companies, with subscribers in the US, the UK, France and Australia.

Source: http://www.rufuslaw.com/2012/11/judith-r-karfiol/

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BlackRock hires Blackstone trio for European infrastructure debt push

The three-strong team ? who have worked together for more than 10 years, latterly at Blackstone?s GSO division ? will invest in investment grade infrastructure debt investments secured by transportation, social infrastructure and regulated utilities assets.

BlackRock will also seek to buy performing infrastructure single loans and loan portfolios from de-leveraging bank with infrastructure assets.

Benaroya and Wrenn will jointly head up the London-based European Infrastructure Debt investment unit, which falls within BlackRock?s Alternative Investors (BAI).

Once BlackRock has established a track record, the global fund manager will eventually seek to raise an third party capital for a multi-investor European infrastructure fund.

BlackRock is looking to establish a scalable business over time and will consider investments in France, Germany, the Benelux countries, the UK as well as euro-denominated Scandanavian assets, over five to 25 years on both a fixed and floating rate basis.

Given the flexibility of investments sought, within investment graded parameters, margins will vary but a guidance of at least 300 basis points over either EURIBOR, LIBOR or the relevant gilt benchmark is indicated.

BlackRock said the new focus for the global asset manager is in response to institutional client demand to channel capital into new build infrastructure projects and secondary loan investments in a search for increased yield amid a low interest rate environment.

The low correlation to other asset classes is expected to increase the appeal of infrastructure debt to traditional liability-matching fixed income investors.

Matthew Botein, head of BAI, said: ?Investors are looking for increased yield, and to exploit new investment opportunities resulting from global de-leveraging.

?We expect to see a continuation in the robust growth in the infrastructure market.?

Botein said the OECD estimates market size at US$3 trn by 2018 and $50trn by 2030, and alternative investments have doubled as a proportion of the institutional investment market in the last seven years.

He added: ?Hiring this team is an exciting and significant development which helps us develop this burgeoning market and adds a first-mover advantage to BlackRock?s current service provision in Europe.?

Benaroyn and Wrenn join as managing directors co-head of European Infrastructure Debt, while Lengaigne joins as director. Benaroyn has 18 years of infrastructure and project finance experience, while Wren has worked in infrastructure and structured finance for over 25 years and Lengaigne?s experience totals a decade.

David Lomas, head of BlackRock?s Global Financial Institutions Group, said: ?This new platform is the right service at the right time. Solvency II is proving a major catalyst for insurers in this new world of market volatility and low interest rates as they search for alternative sources of income to meet their liabilities.

?Research undertaken by BlackRock earlier this year suggests insurers may look to increase their allocation towards alternative asset classes to achieve this. The characteristics of infrastructure debt make it an ideal strategy to help them in this search for diversified income.?

jwallace@costar.co.uk

Source: http://costarfinance.wordpress.com/2012/11/26/blackrock-hires-blackstone-trio-for-european-infrastructure-debt-push/

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